A dominant point of inspiration within my work is the notion of labour, considering artistic value held within the ethics of mass production. Exploring the reproduction of work in contrast with the uniqueness of the handmade, aiming to define the value of the artistic hand.
Within terms of production, process becomes integral, using a clocking in machine documenting labour and time involved, clocking in every time I involve myself with practical work. Investigating how the state of the artist impacts on the object and if unintentional uniqueness is achieved.
My ultimate aim is to not only define a value, but also identify where that value is held within the work.
Little Sweetheart 32 Ceramic pieces.